Richard Howell: A Love Supreme — a tribute to John Coltrane



Coltrane’s most spiritual work, recreated

Richard Howell: A Love Supreme — a tribute to John Coltrane






Friday, June 28

7:30 p.m.

Campbell Recital Hall

SJW Members: $39 | Child (17 and under) & Student (w/ valid student ID card) $10

Non-members: $47 | Child (17 and under) & Student (w/ valid student ID card) $18

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Richard Howell, tenor saxophone
Glen Pearson, piano
Gary Brown, bass
Deszon Claiborne, drums


About Richard Howell: A Love Supreme — a tribute to John Coltrane



“Howell’s . . .  interpretations combine to create music that connects with one’s soul.” —Marin Independent Journal

Embark on a spiritual and musical journey with renowned saxophonist Richard Howell as he pays homage to the visionary John Coltrane with a mesmerizing performance of A Love Supreme. Howell, deeply inspired by Coltrane’s groundbreaking music, presents his own unique interpretation of this timeless masterpiece, preserving its deep emotional core while incorporating his own improvisational brilliance. Backed by a talented group of musicians, Howell’s soulful playing and the band’s dynamic interplay will transport you to the heart of Coltrane’s sonic pilgrimage. Witness the power and passion of jazz as this exceptional ensemble breathes new life into these beloved compositions.







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Indian Jazz Journey featuring Mahesh Kale and George Brooks


Don't miss the captivating Indian Jazz Journey at Stanford Jazz Festival! Join renowned vocalist Mahesh Kale and jazz saxophonist George Brooks on Sunday, June 23, 2024, at Stanford University campus, for a mesmerizing blend of ragas and rhythms from Indian classical music with soulful jazz improvisation.

Mesmerizing Indian jazz fusion

Indian Jazz Journey featuring Mahesh Kale and George Brooks






Sunday, June 23

4:00 p.m.

Dinkelspiel Auditorium

SJW Members: $54 | $44 | Child (17 and under) & Student (w/ valid student ID card) $12

Non-members: $62 | $56 | Child (17 and under) & Student (w/ valid student ID card) $18

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Mahesh Kale, vocals
George Brooks, saxophone

Additional personnel TBA


This performance is co-presented with the Indian Classical Music and Arts Foundation.



About Indian Jazz Journey featuring Mahesh Kale and George Brooks




“Mahesh Kale is not just a singer, he is an emotion weaver.” —Times of India

“His voice is powerful and expressive, and his music is a beautiful blend of tradition and innovation.”—KQED

“[Brooks] reflects the soul and character of Indian classical music . . . with a spontaneous spirit and a load of melodic spice . . .  a divine treat.”—All About Jazz

An incredibly popular annual jazz event, Indian Jazz Journey with Mahesh Kale and George Brooks is a captivating encounter between Indian classical and Western jazz musical traditions. Renowned vocalist Mahesh Kale, beloved for the intense beauty of his expressive voice, blends the intricate ragas and rhythms of Indian classical music with the improvisational spirit of jazz. His musical collaborator is George Brooks, whose soulful saxophone and deep understanding of Indian music create a dynamic dialogue between the two genres.

This unique collaboration — augmented by amazing guest performers from both traditions — creates a tapestry of sound that is both familiar and unexpected. Kale’s vocals soar over the rhythmic landscape provided by traditional Indian instruments and jazz rhythm section, incorporating improvisation and transporting listeners to a world where cultures seamlessly blend. Expect mesmerizing sounds, captivating melodies, and a deeply personal connection forged between the artists and the audience.

Each year, this performance is more than just a concert; It’s a journey of discovery, pushing the boundaries of musical expression and offering a glimpse into the boundless possibilities that arise when artists from different musical traditions with open hearts come together.







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The Tommy Igoe Groove Conspiracy: the music of Steely Dan


Come out and groove with The Tommy Igoe Groove Conspiracy at the Stanford Jazz Festival on Saturday, June 22. This 15-piece powerhouse reimagines Steely Dan’s classics with a brass-fueled twist. Tickets on sale March 14.

Tight grooves, powerful horns, dazzling tunes

The Tommy Igoe Groove Conspiracy: the music of Steely Dan






Saturday, June 22

7:30 p.m.

Dinkelspiel Auditorium

SJW Members: $44 | $34 | Child (17 and under) & Student (w/ valid student ID card) $10

Non-members: $52 | $42 | Child (17 and under) & Student (w/ valid student ID card) $18

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Tommy Igoe, drums
Drew Zingg, guitar

Additional personnel TBA


The Tommy Igoe Groove Conspiracy: the music of Steely Dan



“Tommy Igoe puts together a hell of a band and puts on a hell of a show.” —All About Jazz

With his long, lanky frame and imposing wingspan, Tommy Igoe cuts a mesmerizing figure behind the drum kit as his swirling motion telegraphs every rhythmic nuance. Returning to the festival with his 15-piece Groove Conspiracy after a six-year absence, he’s bringing a book of finely-honed arrangements focusing on the sardonic and voluptuously hook-laden songbook of Steely Dan. Joining his talent-laden crew is guitarist Drew Zingg, who played a key role in Walter Becker and Donald Fagen relaunching Steely Dan in the early ’90s after a 15-year hiatus. With a repertoire that includes hits like “Aja,” “Bodhisattva,” “Josie,” “My Old School,” “Peg,” and “Babylon Sisters,” Igoe evokes the music’s studio-polished sheen while foregrounding Becker’s and Fagen’s abiding love of jazz. For Igoe, putting his own stamp on iconic drum parts created by studio legends like Bernard PUrdie, Steve Gadd, and Jeff Porcaro is the best kind of challenge. A supremely versatile player who spent years touring with rock and pop acts, Igoe became an international force in 1997 by creating the drum book for Disney’s hugely popular Broadway production, The Lion King. But his first love was jazz, a relationship that started at home. The son of the revered jazz and studio drummer Sonny Igoe (who toured with Benny Goodman and Woody Herman when he wasn’t playing studio dates), Tommy grew up in a nexus of top-shelf jazz talent. Featuring some of the region’s most formidable improvisers, his Groove Conspiracy has become an extension of his extroverted persona.







sight & sound




Ambrose Akinmusire Owl Song featuring Bill Frisell and Herlin Riley


Surround yourself with Owl Song, with trumpet magician Ambrose Akinmusire & jazz legends Bill Frisell (guitar) & Herlin Riley (drums). Experience the critically acclaimed album live: intricate melodies, electrifying improvisation, and intimate musical magic, in the amazing Bing Concert Hall at the Stanford Jazz Festival on Friday, June 21. Tickets on sale March 14.

A stunning jewel of quiet introspection

Ambrose Akinmusire Owl Song featuring Bill Frisell and Herlin Riley






Friday, June 21

7:30 p.m.

Bing Concert Hall

SJW Members: $102 |$87 |$62 |$32 | Child (17 and under) & Student (w/ valid student ID card) $22

Non-members: $110 |$95 |$70 |$40 | Child (17 and under) & Student (w/ valid student ID card) $30

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Ambrose Akinmusire, trumpet
Bill Frisell, guitar
Herlin Riley, drums


About Ambrose Akinmusire Owl Song featuring Bill Frisell and Herlin Riley




“[Ambrose is] one of the most interesting artists of our time.” —DownBeat 

“The eminent guitarist Bill Frisell improvises in smoky ringlets of melody, drawing the influence of classic jazz guitar into a palette based on early American folk music.”—The New York Times 

“A quiet rush of gorgeous sound where space, tone and beauty come together. . . . ” —DownBeat

Ambrose Akinmusire is obsessed with beauty. The trumpeter, composer and ever-evolving sonic explorer is known seeking out new musical frontiers, and his Owl Song trio has become one of his primary vehicles for investigation. Featuring guitar legend Bill Frisell and New Orleans drum poet Herlin Riley, the stripped-down ensemble ranges across a broad expanse of American music guided by an unhurried conversational ethic. A standout player since his years at Berkeley High, Akinmusire has distinguished himself at every step, from winning the Thelonious Monk International Trumpet Competition in 2007 to delivering critically hailed commissioned works for the world’s most august stages, including the Monterey Jazz Festival, the Berlin Jazz Festival, and the Kennedy Center. Long enthralled with Frisell’s music, he’s sought out several opportunities to collaborate as a duo, starting in 2014 when Akinmusire was artist-in-residence at the Montreal International Jazz Festival. “What I love about Bill is his curiosity,” Akinmusire says. “He’s still questioning and pushing.” A few weeks before the pandemic shuttered New York City he and Frisell did a four-night duo run at the Blue Note playing each other’s tunes. They added Riley into the mix in 2022, debuting Owl Song at the SFJAZZ Center. One of two albums he released last year on Nonesuch (along with Beauty Is Enough, a striking solo trumpet session), Owl Song earned glowing reviews, and the music has taken startling new shapes since the recording. Don’t miss this singular ensemble, a group that knows how to make silence sing.







sight & sound




Jazz Inside Out with Jim Nadel and Friends


Jim Nadel, Stanford Jazz Workshop founder and brilliant saxophonist, uses lively music and humorous explanations to guide you through the exciting world of jazz

Jazz revealed: swing, enjoy, and learn

Jazz Inside Out with Jim Nadel and Friends






Thursday, June 20

7:30 p.m.

Campbell Recital Hall

SJW Members: Free

Non-members: $20 |  Child (17 and under) & Student (w/ valid student ID card) $12

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Jim Nadel, emcee and alto sax
Skylar Tang, trumpet
Tommy Occhiuto, tenor sax
Glen Pearson, piano
Ruth Davies, bass
Leon Joyce, drums


This performance is sponsored by Lisa Erdos and Wayne DeJong.


About Jazz Inside Out with Jim Nadel and Friends


“I consider Jim Nadel the No. 1 advocate for [jazz]. He’s one of the keepers of the flame.” — Jimmy Heath

Curious about the world of jazz? This concert is for you! Join Jim Nadel, SJW founder and brilliant jazz artist himself, on a fun and informative journey into the heart of jazz. Through engaging commentary and exciting live music, Jim will demystify key concepts like swing, improvisation, and blues. You’ll not only be entertained, but also gain a deeper appreciation for the art form and the entire Stanford Jazz Festival. Leave the concert feeling confident and ready to fully experience the magic of jazz!



Saturday Schedule

John Burn


 
 

John Burn

Giant Steps Big Band


Weare thrilled to welcome John Burn as director of the Giant Steps Big Band program!

John brings a wealth of experience as a top jazz educator, and is the Director of Bands and Orchestra and the Music Department Lead at Homestead High School, where he has taught since 1991. John is a Past-president of: California Music Educators Association, California Band Directors Association, California Music Educators Association Bay Section, Santa Clara County Band Directors Association, and the Santa Cruz Jazz Festival Board of Directors.

John has received several significant commendations including: the 2023 National Federation of High School Associations Region 7 (California, Arizona, Utah, Nevada & Hawaii) Outstanding Music Educator Award, a 2019 Grammy Music Educator Award Semi-finalist; the 2015 CBDA Distinguished Service Award; 2014 School Band & Orchestra Magazine’s California representative in their annual article, “50 Directors that Make a Difference”; the 2010 CMEA California Band Director of the Year; the 2009-2010 Homestead High School Teacher of the Year; and he is a 2009 Inductee to the John Philip Sousa Foundation’s Legion of Honor.

John is active as a guest conductor for honor groups and as an adjudicator for band, orchestra and jazz festivals. He has conducted seven different honor bands and orchestras so far including the 2018 California All-State Honor Junior High Concert Band. He has directed the Jazz Band, Orchestra and the Concert Band at Cazadero Performing Arts Camp. He is a regular adjudicator for CMEA Bay Section Band, Orchestra and Jazz Festivals and has also adjudicated concert and/or marching events in Santa Barbara, CA, and Reno, NV.

John is a contributing author in the book, “Teaching Music Through Performance in Orchestra,” Volume 4, GIA Publications, 2021, and has presented sessions at state and local conferences in California and Alaska.

Bands and orchestras under John’s direction consistently earn high ratings at regional, state, and international festivals, including performances in the Musikverein in Vienna, the Sydney Opera House in Australia, the Kobe Jazz Festival in Kobe, Japan, Carnegie Hall in New York City, and Disney Hall in Los Angeles. The Homestead Marching Band performed in the 2011 Macy’s Thanksgiving Day Parade and the 2018 Tournament of Roses Parade in Pasadena.

John plays lead trumpet in a semi-professional jazz band called, “The Footnotes,”  and is marching with the “Saluting America’s Band Directors” Band Director Marching Band in the 2023 Macy’s Thanksgiving Parade as he did with this band in the 2022 Pasadena Tournament of Roses Parade.

John holds a B.A. in Music Education from UCLA and a Master’s Degree in Music Education from the University of Illinois, and graduated from the high school where he now teaches, Homestead High. John lives in Santa Cruz, with his patient and supportive wife, Allison.


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Sylvia Cuenca

Sylvia Cuenca

Drums, Jazz Institute, Advanced Package


Sylvia Cuenca is an active drummer on the New York jazz scene who is contributing outstanding performances in a variety of situations. She has had the honor of sharing the bandstand with saxophone legend Joe Henderson for 4 years and trumpet legend Clark Terry for 17 years. The Joe Henderson quartet toured frequently in European countries Norway, Denmark, Sweden, Austria, Belgium, England, Switzerland, France, Italy and Germany and venues across the U.S. In a trio setting she performed with Joe Henderson and Charlie Haden in 1989 and with George Mraz in 1994. She performed with the Clark Terry Quintet and Big Band at Village Vanguard, Birdland, Blue Note, Queen Elizabeth 2, Royal Viking, S.S. Norway jazz cruises and clubs, concerts and festivals in the U.S, Europe, the Caribbean and South America. While working with the Clark Terry quintet she had the opportunity to perform with guest artists Al Grey, Red Holloway, Jimmy Heath, Frank Wess, Marian McPartland, Dianne Reeves, Joe Williams and Lou Donaldson to name a few.

Cuenca has also performed with such jazz luminaries as Billy Taylor, Frank Foster’s Loud Minority Big Band, Houston Person, Etta Jones, Helen Merrill, John Hicks, Valery Ponomarov, Lew Soloff, James Spaulding, Kenny Barron, Ray Drummond, Michael Brecker, Randy Brecker, George Cables, Hilton Ruiz, Jon Faddis, Eddie Henderson, John Handy, Kenny Drew Jr., Emily Remler, Richie Cole, Dave Stryker, Gregory Porter, Jessie Davis, Sean Jones, John Clayton, Ralph Bowen, Vincent Herring, Paul Bollenback, Geoffrey Keezer, Mark Whitfield, Ralph Moore, Paula West, Catherine Russell, Dianne Reeves, Dianne Schuur, Denise Donatelli, Ernestine Anderson, Lea Delaria, the European based Vienna Art Orchestra and many others. In 2007 she performed in a live taping of Black Girls Rock concert in New York City with pop star Alicia Keys. In 2015 she performed at Dizzy’s Jazz at Lincoln Center in NYC and the Kennedy Center for the Performing Arts in Washington, D.C. with Albert “Tootie” Heath’s 4 drum set group called “The Whole Drum Truth” which also included drummers Louis Hayes and Joe Saylor.

She was a guest clinician at the Sisters in Jazz Program at the IAJE Convention in NYC and the Mary Lou Williams Jazz Festival at the Kennedy Center in Washington D.C. Cuenca has been a longtime faculty member at the Jazz for Teens and Pre-Teen Program at NJPAC and the Stanford Jazz Workshop in California. Recently she has been on faculty at Roni Ben-Hur’s Summer Jazz Camp in Vermont. She was an artist-in-residence at various universities in the U.S. and Europe with the Clark Terry quintet, Eddie Henderson quartet and as a leader with her own groups. In 2014 she received a B.A. degree in Jazz Performance from Empire State University in NYC.

In 1988 and 1991 Cuenca received jazz performance grants from the National Endowment for the Arts and in 1992 she was a semi-finalist in the Thelonious Monk International Drum Competition. In 2022 she received San Jose Jazz New Works grant.

She has studied with jazz master drummers Adam Nussbaum, Victor Lewis, Keith Copeland and Brazilian drummer Portinho. Sylvia endorses Canopus Drums, Zildjian Cymbals, Vic Firth sticks and brushes, and Remo Drumheads.


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Edward Simon

Edward Simon

Piano, Jazz Piano Intensive, Jazz Institute, Advanced Package


EdwardSimon, a native of Venezuela, has made a name for himself over decades in America as a jazz improviser, composer-arranger and band leader, with his profile heightening in recent years as he has explored the commonalities jazz can have with the folkloric sounds of Latin America. JazzTimes summed up his impact this way: “Simon is less talked about than many other important jazz pianists from the Caribbean and South America, but he may be the most complete creative artist among them.”

Based in the San Francisco Bay Area, as a member of the all-star SFJAZZ Collective, he has been a Guggenheim Fellow along with being awarded multiple composition grants as part of the Chamber Music America’s New Jazz Works initiative. Simon, a Yamaha artist, has recorded 16 albums as a leader or co-leader; his latest is Solo Live, released via Ridgeway Records in October 2021. This follows Simon’s 2020 album 25 Years and his 2016 album Latin American Songbook, with the four-and-a-half-star DownBeat review praising its “grand and sophisticated” sound. Latin American Songbook also won Simon an NAACP Image Award for Outstanding Jazz Album. The New York Times has praised Simon’s “light, warm touch” as a pianist, while Jazz Journal International singled out “his deep emotional statements” as a composer and improviser. Simon is a 2021 recipient of Chamber Music America’s New Jazz Works and South Arts Jazz Road Creative Residencies awards.


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Jazz Piano Intensive

For pianists age 21 and over

By audition only

SJW JAZZ PIANO INTENSIVE FOR ADULTS

  • Open to adults 21 and over by audition
  • Includes daily piano trio sessions, coached by SJW piano faculty Bennett Paster & Edward Simon
  • Master classes with SJW piano faculty; previous faculty artists include Taylor EIgsti, Kenny Barron, George Cables, Harold Mabern, Ethan Iverson, and many others
  • Access to SJW Jazz Institute classes such as jazz theory, musicianship, and special presentations from faculty such as (in previous years) Chris Potter, Anat Cohen, Charles McPherson, Joshua Redman, Larry Grenadier, Melissa Aldana, and many others
  • Showcase on August 2
  • Free admission to nightly Stanford Jazz Festival concerts and jam sessions

Sample schedule:

9:00 a.m. – 10:00 a.m., Piano Intensive warm-up with SJW piano faculty

10:15 a.m. – 11:45 a.m., piano masterclass taught by SJW piano faculty (open to all Jazz Institute students)

11:45 a.m. – 1:00 p.m., lunch / noon concert by SJW faculty 

1:00 p.m – 2:25 p.m, special presentations taught by SJW Jazz Institute faculty (open to all Jazz Institute students)

2:30 p.m – 6:20 p.m, Piano Intensive coaching sessions 

8:00 p.m, free admission to nightly Stanford Jazz Festival concerts

Subject to change.


PROGRAM DATES AND TUITION


JAZZ PIANO INTENSIVE

Tuition: $1,650

Housing for adults, double occupancy: $695

Optional on-campus meal plan: $300

Six-day program: July 28 – August 2