Tivon Pennicott

Tivon Pennicott

Saxophone, Jazz Institute, Advanced Package


For years, Tivon Pennicott has been transporting audiences to a higher level of consciousness. His latest single releases are the beginning of a new foundation on a canvas for genuine expression. A vocal performance with Tell Me Again (Dox Records, 2022), Let Our Hearts Decide (Dox Records, 2023), a melodic “feel good” with Faith in Grace (Dox Records, 2023), and a fiery performance of Tour Life (Dox Records, 2023) display his versatility and a renewed authenticity as an artist.

The highly sought saxophone player, composer and multi-instrumentalist is a key contributor to three GRAMMY Award winning albums, appearing on Esperanza Spalding’s disruptive recording Radio Music Society (Heads Up International, 2012), and Gregory Porter’s Liquid Spirit (Blue Note, 2013) and Take Me to the Alley (Blue Note, 2017). He has collaborated extensively with such visionaries as Roy Hargrove and Ari Hoenig, and performed at The Royal Albert Hall, the Berliner Philharmonie and Carnegie Hall. On screen, Pennicott appears regularly on “The Late Show with Stephen Colbert” as a member of the Stay Human Band with Jon Batiste. His evolving sound is the result of a soulful, sophisticated foundation for groove he honed in the church, and a penchant for unbound harmonic exploration.

He has collaborated with such visionaries as Roy Hargrove and his RH Factor project, and Ari Hoenig as a core member of his band and key player on The Pauper & the Magician (AH-HA, 2016) and NY Standard (Fresh Sound Records, 2018). After having recorded with Kenny Burrell for his 2010 release Be Yourself on High Note Records, Pennicott continues to enjoy a decade- long association with the prolific guitarist and his Jazz Heritage All Stars. Touring the world with Porter, Pennicott has performed at iconic venues, including The Royal Albert Hall in London, the Berliner Philharmonie in Germany and Carnegie Hall in New York. On screen, he has become a fixture on “The Late Show with Stephen Colbert” as a regular member of the Stay Human Band with Jon Batiste, an artist with whom he has played a week long engagement at The Village Vanguard.

A Georgia native living in New York City, Pennicott earned his Bachelor of Arts in Music from the Frost School of Music at the University of Miami. As a player, Pennicott expresses an evolving sound—the result of a soulful and sophisticated foundation for groove he honed in the church and through his Jamaican heritage, and a penchant for harmonic exploration that reflects the depth of his ear. Strong intention and receptive impulses that allow Pennicott to serve every situation—from Ari Hoenig’s rhythmic labyrinths to Al Foster’s resonating soundscapes— pervade his original compositions, as well.

While he has played an elemental role in advancing and transforming sounds of many innovative artists, Pennicott’s work as a leader is only beginning. In 2014, Pennicott released his debut recording Lover of Nature on New Phrase Records, a project that features equally curious musical minds: Mike Battaglia, Spencer Murphy and Kenneth Salters. As his career continues its upward trajectory, Pennicott most recently released his soul filling sophomore recording in the fall of 2020, Spirit Garden (self released), featuring a 26 piece string orchestra along side several combinations of a chord-less quartet. It is his most audacious endeavor, delightfully composing, orchestrating, and performing on his own musical canvas.


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Matthew Stevens

Matthew Stevens

Guitar, Jazz Institute, Advanced Package


A leading guitarist of his generation, Grammy Award winning “Matthew Stevens’ singular style dissolves the demarcation lines between jazz, rock and ambient music.” (Mojo****) Stevens’ music is “honest and soulful” (Pitchfork) and is described as “music (that) advances the ideals of modern jazz”. (WBGO)

In addition to his critically acclaimed solo albums, Woodwork, Preverbal, Pittsburgh and In Common 1, 2 and 3 with Walter Smith III, Stevens’ songs and guitar playing are featured on over 80 recordings including those by Christian Scott atunde Adjuah, Esperanza Spalding, Milton Nascimento Terri Lyne Carrington, Dave Douglas, Next Collective, Sean Jones, Linda May Han Oh, Harvey Mason, Walter Smith III and Anna B Savage.

Stevens has performed at top venues and festivals all over the world with his groups as well as being a featured performer with artists from Chris Thile to Gustavo Dudamel. His performances have been lauded in Billboard,The Fader, The Guardian, Guitar Player Magazine, Jazz Times, Mojo, NPR, New York Times, Pitchfork, PopMatters, Stereogum, Vice Noisey and more.

As a producer, Stevens worked on Esperanza Spalding’s groundbreaking album Exposure, and her Grammy Award winning album 12 Little Spells. He also co – produced and performed on Terri Lyne Carrington’s Grammy nominated album Waiting Game and Grammy Award winning New Standards. Most recently, Stevens produced I Am A Pilgrim, Doc Watson at 100, which features artists including Valerie June, Dolly Parton, Rosanne Cash, Marc Ribot, Bill Frisell, and Steve Earle which received a Grammy nomination in 2024.

Stevens is an Associate Professor at Berklee College of Music in Boston, MA.


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SJW All-Star Jam



The biggest jazz celebration of the summer

SJW All-Star Jam






Friday, August 2

8:00 p.m.

Dinkelspiel Auditorium

SJW Members: $54 | Child (17 and under) & Student (w/ valid student ID card) $12

Non-members: $62 | Child (17 and under) & Student (w/ valid student ID card) $20

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Caroline Davis, Tivon Pennicott, saxophone
Dave Douglas, trumpet
Kris Davis, Dena DeRose, Taylor Eigsti,
Edward Simon, piano
Camila Meza, Matthew Stevens, guitar
Or Bareket, Ben Williams, bass
Obed Calvaire, Matt Wilson, drums


About the SJW All-Star Jam


At this lovingly curated annual jam session, you’ll hear parings and combinations of jazz artists you’ll never hear any place else. In duet, trio, quartet, and larger ensembles, these amazing top-tier players can let their unbridled creativity soar. Though the list is subject to change, it’s likely that you’ll experience the playing of amazing artists such as pianists Kris Davis, Dena DeRose, Taylor Eigsti, and Edward Simon; guitarists Camila Meza and Matthew Stevens; bassists Or Bareket, and Ben Williams; saxophonists Caroline Davis and Tivon Pennicott; trumpeter Dave Douglas; and drummers Obed Calvaire and Matt Wilson. The SJW All-Star Jam is always the highlight of the season! 






Or Bareket

Or Bareket

Bass, Jazz Institute, Advanced Package


Born in Jerusalem to parents of Moroccan, Iraqi, Argentinian, and Eastern European descent, raised between Buenos-Aires and Tel-Aviv, and based out of Brooklyn since 2011, Or Bareket is one of the most prominent bassists of his generation, as well as a composer and bandleader with an eclectic yet meticulously cohesive approach.

Winner of the 2011 International Society of Bassists’ jazz competition, Bareket’s distinct lyricism, rhythmic dexterity, and groove-centric approach are clearly present in his playing and writing alike. Growing up tri-lingual, Bareket is fascinated by how different languages and cultures intersect and diverge. His creative process is an investigation of spaces between and within languages, synthesizing the different worlds he inhabits into one personal aesthetic that honors all of them: his ancestral North African and Latin-American folklores, his life-long study of Black American music, and his experiences making music with some of today’s foremost artists across a wide range of musical generations and stylistic orientations; he’s worked with bands led by Leon Parker, Joel Ross, Ari Hoenig, Etienne Charles, Sam Yahel, Camila Meza, Marquis Hill, Aaron Goldberg, and Jean-Michel Pilc, to name a few, and has performed with the likes of Joshua Redman, Chris Potter, Hamilton de Holanda, Jeff Ballard, Billy Hart, Peter Bernstein, Shai Maestro and Sullivan Fortner in different settings.

Bareket’s acclaimed third album, “SAHAR” was released in 2022 on Enja Records and saw the band perform over 50 concerts across the EU, US, and Japan. His fourth album, featuring Godwin Louis, Jeremy Corren, and Savannah Harris, and produced by Joel Ross is set for release in Fall 2024.


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Taylor Eigsti and Friends


Join us for an electrifying night with Grammy-winning jazz piano phenomenon Taylor Eigsti at the Stanford Jazz Festival on Thursday, August 1. Get tickets starting April 18 (earlier for SJW members) for genre-bending rhythms, dazzling melodies, unexpected twists, deep emotions, and a fresh sound that will captivate you. On the Stanford University campus.

A brilliant jazz talent just keeps getting better

Taylor Eigsti and Friends






Thursday, August 1

8:00 p.m.

Dinkelspiel Auditorium

SJW Members: $54 | Child (17 and under) & Student (w/ valid student ID card) $12

Non-members: $62 | Child (17 and under) & Student (w/ valid student ID card) $20

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Taylor Eigsti, piano
Matthew Stevens, guitar
Ben Williams, bass
Matt Wilson, drums


About Taylor Eigsti and Friends




“Eigsti exudes fearlessness and joy, secure in the belief that he can make music with anyone.” —Variety

Pianist Taylor Eigsti has been busier than ever since winning a Grammy for Best Instrumental Album in 2023. Having just released another new album this February called Plot Armor, Taylor is back on the road with Terence Blanchard, Lisa Fischer, Ben Wendel, and his own group. 

And no surprise. Tons of great musicians love playing with him, and thousands love listening to him. Taylor weaves together intricate melodies, rhythms that are angular yet infectious, and deep grooves into a soundscape that’s anything but predictable. You’ll hear echoes of electronica, hip-hop, rock, and even classical, all seamlessly blended into a sonic journey that will captivate you. His passion and energy are astonishing yet inviting, drawing you into the heart of his music. He’ll conjure a kaleidoscope of emotions – from playful joy to introspective reflection.

This will be a special first-time meeting of these four musicians, all of whom have a lot of independent history. Taylor will also be adding a lot of SJW faculty artists, too!







sight & sound





Dave Douglas

Dave Douglas

Trumpet, Jazz Institute, Advanced Package


Dave Douglas is a prolific trumpeter, composer, educator and entrepreneur from New York City known for the stylistic breadth of his work and for keeping a diverse set of ensembles and projects active simultaneously.

His latest project is a rotating ensemble under the name Gifts, including guitarist Rafiq Bhatia, drummer Ian Chang, saxophonist James Brandon Lewis and cellist Tomeka Reid. In October 2023, the trio toured Europe, and the Gifts group will return overseas in March 2024. A debut album has been recorded, with release details to be announced soon.

His unique contributions to improvised music have garnered distinguished recognition,
including a Doris Duke Artist Award, a Guggenheim Fellowship, an Aaron Copland award, and two Grammy Award nominations. Douglas’ career spans more than 60 unique original recordings as a leader and more than 500 published works. His current ensembles include the Dave Douglas Quintet; Sound Prints, a band co-led with saxophonist Joe Lovano; OVERCOME, with vocalists Fay Victor and Camila Meza and instrumentalists Ryan Keberle, Jorge Roeder, and Rudy Royston; and If There Are Mountains, a sextet with pianist & co-leader Elan Mehler featuring haiku and poetry from vocalist Dominique Eade. Douglas is often engaged in special projects which include big bands, tributes, and multi-trumpet ensembles, such as Dizzy Atmosphere: Dizzy Gillespie at Zero Gravity.

As a composer, Douglas has received commissions from a variety of organizations including the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, The Library of Congress, Stanford University, and Monash Art Ensemble. In 2019, the American chamber orchestra Alarm Will Sound premiered his piece Facts and Fictions.

Douglas has held several posts as an educator and programmer. From 2002 to 2012, he served as artistic director of the Workshop in Jazz and Creative Music at the Banff Centre in Canada. He is a co-founder and president of the Festival of New Trumpet Music, which celebrated its 17th anniversary in 2020. He is currently on the faculty at Mannes School of Music and The New School of Jazz and Contemporary Music. He was the Artistic Director of the Bergamo Jazz Festival for four years ending in 2019.

In 2005 Douglas founded Greenleaf Music, an umbrella company for his recordings, sheet music, podcast, as well as the music of other artists in the modern jazz idiom. Greenleaf Music has now produced close to 100 releases and will celebrate its twentieth year in 2025. In addition to hosting a podcast featuring engaging interviews with more than 90 creative artists, Greenleaf Music is a pioneering independent music platform with a strong subscription model featuring hours of exclusive content.


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Dave Douglas Gifts



A journey of form, texture, and timbre

Dave Douglas Gifts






Wednesday, July 31

8:00 p.m.

Dinkelspiel Auditorium

SJW Members: $54 | Child (17 and under) & Student (w/ valid student ID card) $12

Non-members: $62 | Child (17 and under) & Student (w/ valid student ID card) $20

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Dave Douglas, trumpet
Caroline Davis, alto saxophone
Tivon Pennicott, tenor saxophone
Kris Davis, piano
Camila Meza, guitar
Or Bareket, bass
Obed Calvaire, drums


About Dave Douglas Gifts




“Dave Douglas is the unassuming king of independent jazz.” —Downbeat

Dave Douglas is a trumpet player of rare abilities, and his virtuosity always serves his expansive compositional vision. A Dave Douglas performance is a musical journey, and for this trip, Dave is performing music from his Gifts project, which is inspired by the life and music of the great woodwind master, Charles Lloyd. The music of Gifts reflects on the wisdom and positivity of the great jazz legend, exploring in particular Charles’ fascination with the music of Billy Strayhorn, the composer of “Take the A Train” and “Lush Life,” among many other jazz classics. The band focuses its improvisations on song forms and the manipulation of tone in their interpretations of each piece. You can expect an atmospheric approach, evocative and melodic.







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George Cables Trio


George Cables — living legend of jazz piano — will be tearing the roof off at the Stanford Jazz Festival with his trio on Tuesday, July 30. This is what a jazz piano trio should sound like! Tickets on sale April 18, earlier for SJW members.

Bold bebop beauty

George Cables Trio






Tuesday, July 30

8:00 p.m.

Dinkelspiel Auditorium

SJW Members: $54 | Child (17 and under) & Student (w/ valid student ID card) $12

Non-members: $62 | Child (17 and under) & Student (w/ valid student ID card) $20

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

George Cables, piano
Essiet Okon Essiet, bass
Matt Wilson, drums


About George Cables Trio




“. . . a finely-calibrated touch and harmonic savoir faire.” —JazzTimes

The recordings George Cables made with jazz giants Sonny Rollins, Dexter Gordon, Joe Henderson, Art Pepper, Bobby Hutcherson, Woody Shaw, and Freddie Hubbard are all on every jazz critic’s must-have list. They’re classics, pure and simple. But George is much more than a contributor to the history of jazz; he is jazz history. His playing changed the way pianists approach hard bop and post-bop, and he continues to influence the young generation now. But it’s you whose life is going to be changed by taking in George’s all-inclusive mastery of jazz piano: You won’t believe what you’re hearing. The fire, creativity, facility, power, technique, melodicism — there is nothing more exciting than a George Cables concert.







sight & sound





Caroline Davis Portals


A rising jazz star of particular thoughtfulness and creativity, saxophonist Caroline Davis brings her Portals project to Stanford Jazz Festival — don’t miss this jazz-infused immersive sound experience on Monday, July 29. Tickets on sale April 18; earlier for SJW members.

Thoughtful music of exquisite beauty

Caroline Davis Portals






Monday, July 29

8:00 p.m.

Dinkelspiel Auditorium

SJW Members: $54 | Child (17 and under) & Student (w/ valid student ID card) $12

Non-members: $62 | Child (17 and under) & Student (w/ valid student ID card) $20

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Caroline Davis, saxophone
Kris Davis, piano
Camila Meza, guitar
Or Bareket, bass
Obed Calvaire, drums


About Caroline Davis Portals




“[Caroline Davis is in] the company of vital artists at the frontier of jazz.”—Something Else

“It’s just the right amount of unsettling — like what you’d expect to hear in the background after a confounding, climactic scene in a great Lynch film.”—The New York Times

When Caroline Davis writes music, she goes deep. The inspiration might be a scientific or biological topic, such as Alula, which is part of the leading edge of a bird’s wing, or Heart Tonic, which explores the physical mechanics of the human heart. Described by Caroline as an immersive sound experience, this stunning concert focuses on a very personal topic: Caroline’s Portals compositions draw upon the idea of mourning and ancestral communications as textural entities. Caroline wrote the music to offer connections to her ancestors, biological and chosen. The band will play original pieces from Portals, Volume 1: Mourning (2021) and Portals, Volume 2: Returning (to be released later in 2024).







sight & sound





Marcus Shelby Quintet


Marcus Shelby brings his amazing band to Stanford Jazz Festival on Sunday, July 28 to share his powerful blues-rooted original music, titled “Variations on a Variant,” and written during the global pandemic. Tickets on sale April 18; earlier for SJW members.

A local jazz treasure and powerhouse

Marcus Shelby Quintet






Sunday, July 28

8:00 p.m.

Dinkelspiel Auditorium

SJW Members: $54 | Child (17 and under) & Student (w/ valid student ID card) $12

Non-members: $62 | Child (17 and under) & Student (w/ valid student ID card) $20

Ticket prices include all fees; what you see is what you pay.

Programs, personnel, venues, and pricing subject to change without notice.



Personnel

Marcus Shelby, bass

Additional personnel TBA


About the Marcus Shelby Quintet




“As a creator and performer, Shelby is blessed not only with a singular musicality but also with a great sense of history.” —San Francisco Chronicle

Bassist, composer, educator, and advocate Marcus Shelby is always aware of the power and purpose of the music he creates. For him, every project is an opportunity to share the pain and joy of a moment in history. Each composition is a chance for Marcus to learn about life and people, and to share this wisdom and emotion with his audience. He’s created long-form works that address topics such as Harriet Tubman, Martin Luther King, Jr., and the WWII Port Chicago munitions explosion. Rooted in the blues, even his individual compositions have meaning, in addition to being stunningly beautiful and challenging for his band members — all of whom are the top players in the Bay Area — but also inspiring them to perform at their utmost swinging abilities. 

This program highlights new music from a suite entitled Variations on a Variant, which is Marcus’ response to the social changes and pressures of the pandemic, including the increased displacement and oppression of the most vulnerable in our society, social protests and the destruction of institutional racism, and the pervasive nature of the virus. The suite includes a variety of styles and forms that evoke the diversity of emotions Marcus experienced during the shutdown.







sight & sound